Adult Disneyland trip slower, and includes beer

Sleeping Beauty's castle on the occasion of its 50th anniversary.
 wikipedia.com

My husband wanted just the two of us to go to Disneyland for his 52nd birthday, which you can read about here. I haven't been to Disneyland with a date since before I was married (the first time).

In my youth, I harbored romantic visions of what a Disneyland trip with a boyfriend would be like, part of which involved him buying me one of those gigantic all-day lollipops on Main Street. I'm not sure what that was all about.

Too many Archie comics, no doubt.

Sometimes girlfriends and I would go to Disneyland on a parks and rec bus-trip and spend the whole day hoping to find boys to flirt with. We never did. On one 1960s trip I was wearing a pair of flowered Wrangler jeans bought especially for the occasion. I thought I was pretty cool, but now I can only imagine how silly I looked.

Believe me, bringing along your own partner to kiss in the dark rides is much better than hoping to snag one at the park.

Charlotte on the carousel at the Valencia mall
in her Belle, from Beauty and the Beast,
 light-up shoes. She didn't actually ride it the day
I took her, she was  more interested in the koi pond.

But right now, my aging body was telling me I shouldn't be dragging it through the "Happiest Place on Earth." The day before, Lynn and I took Charlotte to the Valencia mall so her parents could pack up her room for an upcoming move.

Chasing after a two-year-old is hard on knees that need replacing. We looked at koi in the pond, hunted for water turtles, got her face painted, spent an inordinate amount of time in the Disney store, bought a plush Jiminy Cricket and ate hot-fudge sundaes.

Which may not sound like a lot of activity to you, but to someone with bad knees and sciatica, you might as well be talking about a trip up Mount Whitney.

I knew that an adult trip to the House of Mouse, as my husband calls it, would be more laid-back than one with kids, even grown kids. We usually go once a year, and my 20-somethings are hell-bent on getting on every ride they possibly can, while I limp along behind them.


My kids are always making me do things I don't want to do, like go on Pirates of the Caribbean. I'm sorry, I'm over this particular ride. I can remember watching "The Wonderful World of Color" (in black and white) on television one Sunday night when Walt Disney showed us the mock-up of New Orleans square, and the drawing for Pirates of the Caribbean. Walt's been dead since the day we landed on the moon, so that tells you how old this ride is. Even sticking Johnny Depp into it can't revive this chestnut for me.

Jim and his birthday button.

So there I was, popping Schedule C narcotics like they were M&Ms, just trying to get through a day of walking through the Magic Kingdom. I got my husband a birthday button at the Town Hall, and was amazed to see how many park-goers said, "Happy Birthday, Jim!" I knew employees would, that's part of their job to recognize the buttons that say Happy Anniversary, First Visit, Just Married or Family Reunion, but civilians? That was a surprise.

We didn't get on many rides because of the crowds. You'd think there wasn't a recession on by the amount of off-season visitors to Mickey's place. Fast passes for the new improved Star Tours had a return time late in the evening, so we waited.

And it was well worth the wait. Usually, I'm nostalgic about rides, and hate for them to be changed. I loved that when Star Tours supplanted Monsanto's Journey Though Inner Space, they paid it homage by including the microscope as a prop in the movie. Just before the star speeder burst through the hanger doors, you could see it on the right.

King Triton celebrates the marriage of his daughter to
lame-o Prince Erik.

Now the robot voiced by PeeWee Herman has been replaced by C3PO as the pilot, but the old robot has been moved to the interior line and can be heard shrieking, "I'm still getting used to my programming!" I miss the old movie, but the new one I saw was fantastic, and I love that there are 53 more versions to see. I swear that the jump to light speed is not as jolting as before, but it could be my imagination.

One ride we did get on was the new Little Mermaid in California Adventure, which we literally walked on at dinner time. It is similar to the Winnie the Pooh ride, definitely for tiny tots, who are the target market for the Disney Princesses, anyway.


Little Mermaid was cute, and I couldn't help but think how much Charlotte will love it in December when we plan to come back with the whole family, including my new son-in-law Patrick. In fact, I thought about my granddaughter a lot that day. I would never say that Disneyland is only for kids, but like Christmas, tots  make it a lot more festive, seeing things through their eyes.

Poor Patrick, who grew up on the East Coast, had no idea when he married into this family how large Disneyland looms in our collective consciousness. I was a year old when the park opened, and it has been part of growing up for me and my kids. Now we are working on the next generation, and Charlotte is princess-crazy. We listen to the feminist warnings about this and think, "Yeah, you're probably right," then order Beauty and the Beast sparkly light-up shoes online.

We're looking forward to initiating him into the cult.

It's telling that probably the most enjoyable part of the day was sipping Newcastle in a California Adventure bar. Adult beverages, a cool breeze, and my very own boy to kiss. The waitress called us "love birds." Even though I didn't get an all-day sucker, it was pretty romantic.

BabyQuest unfolds at Disneyland

Charlotte on her first trip to Disneyland in 2010. In 2007, when her mother was
undergoing fertility treatments, we took a trip to the Happiest Place on Earth. 

Editor's note: My husband and I went to Disneyland this weekend for his birthday, so I wasn't able to write a new column. Although right now it seems like Charlotte has been with us forever, at one time she was just a wish and a hope. This column originally ran in the Antelope Valley Press on Sunday, March 25, 2007

Biology is a mysterious thing.

Ask any woman. They’ll tell you women indeed have “biological clocks” that create subconscious impulses that they may or may not be aware of.

The day I realized that I had stopped noticing good-looking guys in the mall in favor of tiny people in strollers was the day I knew my body had turned traitor.

I was pregnant less than a year later. I think that my biological clock is making me exude “grandma” vibes right now. I spent Sunday at Disneyland with my daughters where I had close encounters with children, whom I generally try to avoid.

Sitting on a fence outside of the Frontierland fort, I was giving my aching feet a rest when a little girl clambered up alongside and looked up at me expectantly.

I noticed that she had a fancy “princess” hairdo many young girls were sporting that day — created at some Disney Princess location in the park I can only assume was secret, because I never found it.

Looking down at her “do,” I noticed that she had rows of hair twisted back to the crown, where each row was accented by a small silk flower, and the rest was caught in a bun.

“Your head sparkles,” I observed, noting the multicolored glitter hair spray.

“I know,” she beamed, patting her rows carefully. Then she began playing with my hair, pulling ringlets out as far as they would go, then letting them snap back.

“I want hair like yours,” she said wistfully, as every last ounce of my cynical reserve melted.

I should explain that “The Happiest Place on Earth” was serving as the backdrop that day to what I like to call “BabyQuest 2007.”

My oldest daughter is trying to get pregnant, which necessitates trips to the reproductive endocrinologist at intervals dictated by her body, not convenience.

Not only did we have to make a trip to Thousand Oaks before we could go to Disneyland, we had to smuggle in a syringe and a vial of something so she could give herself a shot in the stomach if necessary.

The lab test took three or four hours, and the doctor said he would call either way, so we waited. She finally got antsy and called him, but cell reception is spotty in New Orleans Square and she was agitated by getting disconnected while on hold.

It turns out she didn’t have to use the syringe, but we were all very careful what we said lest the overload of hormones spin her off into emotional orbit.

Later that night at California Adventure I was listening to my iPod, waiting for my kids to get off a ride when suddenly I noticed a short person in front of me with his mouth moving.

I jerked out my earbuds, and said, “I’m sorry, what did you say?”

I still don’t know what he said to me first, because the chatty little boy with the shock of black hair was on to the next thought — something to do with dinosaurs.

He imitated the T-Rex on his T-shirt, curling his little fingers into claws, making a “Rawr” noise, accompanied by a fierce face.

I told him he’d better stop or I’d have nightmares. He told me he had four grandmas and four grandpas, showing me on his fingers how many four was. His father at the end of the bench laughed to himself when his son described one of the grandpas as “bad.

“He never remembers my name. He always calls me someone else’s name, not Matthew,” he said indignantly.

I asked if he went to school. He said “Yes.” I asked him how old he was. He showed me four fingers again. “Oh,” I said, “you must go to preschool.” His eyes widened and he gasped, “How did you know?!” as if I were a magician.

“What do you learn at preschool?” I asked.

“My ABCs. Wanna hear?” he said, launching into the song.

Bring on the grandkids. I’m ready.

Celebrating America....sort of.

People out on Lancaster Boulevard for the Celebrate America festival on
the tenth anniversary of Sept. 11. Intermittent rain didn't dampen spirits.

I could barely walk when I woke up this morning.

My bad knee and my sciatica were screaming from walking around on high heels. We had planned an evening at the Fashion Institute of Design & Merchandising; they were having a reception for their new show "Fabulous! 200 Years of Fashion History, 1800-2010."  That would have involved minimal walking.

A faux drive-in in front of Lancaster Performing Arts Center.

But then we got on the freeway and it was bumper to bumper beginning at the Antelope Valley Mall, so we abandoned the plan. Little did I know what a mess the southbound freeway was, and that Sierra Highway was flooded.

We were dressed to the nines, and I had spent an inordinate amount of time on my makeup. I wasn't going home after all that. So we ate at Giovanni's and headed to the BLVD for the Celebrate America street party. 

What had been Plan B turned out to be a great evening: friends, music, cars, and even a little dancing. (Who knew you could do the rhumba to Steely Dan's "Peg"?) And, a lot of walking.

A thing of beauty: the Hudson.

There were Abe Lincoln, Benjamin Franklin and George Washington impersonators, as well as Frank Sinatra and Elvis Presley. Having a beer in the Lemon Leaf, I overheard a woman enthusing about the "Ol' Blue Eyes" ringer. According to her, he had the whole package: looks, moves and voice. Oh, and the hat, too.

And what could be more American than cars? Some of the best of Detroit was on display, with lots of muscle cars and high -performance autos in evidence: Camaros, Mustangs, GTOs, Dusters and Road Runners.

In addition to American cars, there was an MG TC, too. Unfortunately, I didn't get a photo of it, but it was gorgeous!

The Santa Clarita rock band, R5, playing on the Leaf Stage
 at Celebrate America.

On the stage next to Lemon Leaf were a teen band called R5. Ranging in age from 14 to 19, they are a very tight quartet, and lots of fun to watch. Cute boys in pink shirts playing guitars, and a fetching sister on keyboards playing a mix of original material and covers from the All American Rejects and Rick Springfield, among others.

Their website says that they have been performing since they were one to six-years old, and it shows. They are very professional.

Four of the five are siblings, and they have a great time on stage. If they've been performing that long, it's clear there were parents being puppet masters, so I hope they aren't compelled to participate longer than they want to.

One of the boys is an upcoming Disney series, "Austin and Ally," and Riker, the bass player, is in "Glee" playing one of the Warblers, and just came off the Glee concert tour.

Two knights in shining armor. The one on
the right is spoken for, sorry.

We stopped in to say "hello" to Chris and Dennis Calaba, and Rena and Vijay Patel at the Graphic Experience. One of the BLVD pianos is in front of their store, and people just wander up to it and play. Of course, while we were there, no one with any talent happened by, but it's a fun concept. The framing store owners say sometimes they are serenaded by people who really do know how to play.

It really did feel like a old-fashioned event. The skies opened up while we were sitting on a bench in front of Chris and Rena's store, so we stood under the green and white striped awning, and it felt like every meet-cute in a musical comedy.

The fireworks went off despite the inclement weather, and they were spectacular. There's another fine American institution: colorful exploding munitions.

But underlying all the frivolity was the reason for the street fair: Patriot Day, the day of remembrance for those killed on Sept. 11, 2001. And therein lies the rub for any columnist: do you ignore the obvious elephant in the room and write whatever you want, when your column appears on 9/11? Or do you add your voice to the multitude of people looking back, pontificating, and analyzing?

This car show entrant evokes the by-gone era
 of the the drive-in movie with a speaker stand.

What could I possibly say about 9/11 that would be of any interest? I wasn't there; I have no survival story; and the ways it impacted me are the same ways it impacted all of us: a loss of freedom, two wars, billions of dollars spent to "keep us safe," and the bursting of the never-been-attacked-on-our-own-soil bubble.

Whatever unity the Sept. 11 attacks fostered has long since dissipated, as anyone who takes the slightest interest in politics can see. Our country is so polarized we can't carry on a civil conversation anymore, and I'm so sick of it all, I'd like to throw all the bums (of any party) out.

We've got a whole generation graduating out of college into a job market where 14.9% of 20 to 24-year-old are unemployed, according to the Bureau of Labor Statistics. Replacing all our elected officials with young people ought to put a dent in that number. From what I can see, they couldn't possibly do any worse.

Considering that people currently in office have obsene retirement packages, we don't need to shed any tears for them. It's not like they're doing their jobs anyway. Only a tiny fraction of them are having town hall meetings over the summer break, probably because they don't want the grief of actually listening to constituents.

I try not to let the current state of affairs get me down. I muddle through, hoping to one day have a full-time job for me, my recently graduated daughter, recently laid-off friends and everyone else who is under-and un-employed.

And now you know why I rarely write about politics: it just makes me depressed.

Setting sail with Noah

Inside the ark at the Skirball Cutural Center's interactive children's exhibit.

The Skirball Cultual Center has taken the "interactive" concept to new heights.

Usually, a museum considers an exhibit interactive if you have to pull out a drawer to see an answer, or open a cupboard for a different view, maybe listen in on a phone conversation. But in the wildly popular Noah's Ark exhibit, kids can create the entire story for themselves.

Charlotte and Auntie Lynn create lightning
 in a tube. Next to it they can flood a tank
to see the ark rise and float.

First, they can create the storm: turn a handle fast enough to make leaves fly, make it rain, puff up gales of wind, and coax lightning to show itself in a tube.

 In what looks like an giant ant farm, there is a mountain range that visitors can flood enough to float the ark lodged between two hills.

Children are encouraged to help build the ark. Slats of wood can be fitted between the ribs of the ship to finish the boat. Then you can load the animals; simply fit the foam creatures into a conveyor belt. 

Two by two, or all alone, turn a big wheel and the animals climb up the side of the ship, then tumble down the other side into a basket to wait for the next lucky person to play.

Pass by the wooden camels sitting sentry on the gangplank, and enter the ark. Here there are tables and chairs to sit on, rubber poop to clean up with child-sized mops and brooms, and scads of animal puppets to play with.

Charlotte sends animals to the ark on a conveyor belt.

As you might expect, animals are everywhere: snakes are draped over rafters, languidly drooping; a lion sits majestically (or as regally as he can with a raffia mane); a mountain sheep peers down on visitors.

 Every so often, a museum worker comes by with an animal marionette: a huge raptor with moveable wings, or a shy fox that gradually becomes bold enough to interact with the kids.

My granddaughter Charlotte decided the fox looked sleepy, and brought him some straw for a bed. Maybe he wanted a nap, I don't know. I certainly could have used one.

There is a hanging swing in a corner for weary parents, but alas, we were not alone in thinking, "oh my God, I've got to sit down right now."

A zebra and an elephant make of recycled
materials guard the entrance to the exhibit.

The thesis of the exhibit, demonstrated quite clearly in the introduction by a hyperactive docent, is that everyone has to work together to survive the storm. Since this is a Jewish cultural center, it is easy to see that rain, wind and flooding might not be the only storm they have in mind.

The concepts that everyone has a job to do, and that we have to live in harmony with animals and nature are all over the exhibit. Wherever possible, the animals are made of recyclable material. A life-size zebra near the entrance has a musical keyboard for a mane, and roof-top heat extractors for haunches.

In fact, for adults, recognizing all the disparate parts of the menagerie might be the biggest joy in all this. Kids just see the beast depicted, we can see the fly-swatter wings and rubber floor-mats used as elephant ears.

An alligator made of a violin case, a violin neck, and an old tire.
A leather glove holding a glass eye forms the  creature's head.

My favorite was the alligator made of a a violin case, with the violin's neck forming the tongue, an old tire making the body, and a black leather glove holding an eye to create the head. It was ingenious.

All around the second floor inside the ark, runs a platform that kids can climb up to on a rope ladder. Charlotte is too small to climb up there, so she didn't get to go. We sat on a packing crate and watched the "little savages," as my friend Lynn calls them.

A mother and daughter have a tea party
on the ark, while other kids runs round upstairs.

Lynn and I have sat side by side a few times and watched the weird dance of socialization that children do, the Lord of the Flies hierarchy that takes no time to develop. My daughter Megan looked around the floor and said, "There's not as much poop on the floor as there usually is. The big boys on the top floor are hoarding it."

Shy retiring kids get toys taken from them, and those at an awkward age, like Lotte, unsuccessfully try to fit in with groups of older or younger children.

Don't be disappointed if that daughter or granddaughter you hope will be the first female president of the United States grabs a broom or mop. Turns out that kids just like to be helpful, just not at home.

Who knew the domestic arts could hold such endless fascination?

A word to the wise: unless you are deaf or don't mind the din of scores of children, book the earliest entry time you can. They start letting people in at noon, and add more each half-hour. Your entry time allows you two hours in the ark, so you do the math.

Yes, that is Lotte, who we hope will be the first PhD in
 the family, cleaning up poop in the ark.
Better they learn humility at an early age.
Behind her is the rope ladder to the top floor.

By one o'clock, more children had arrived than had left, and the noise level rose alarmingly. About the time six boys, ages 6 to 11, came pounding into the exhibit, I was looking for an exit.

Another tip, bring a change of clothes for your kids. Outside is the "Rainbow Fountain" which is basically misters making a rainbow over a stretch of sidewalk. Kids love to run back and forth through it until they get soaked, and it could be a long, wet ride back home.

Tickets are $10 for adults; $5 for those age 2-12; $7 for seniors (65+) and full-time students, and you need to book them in advance to get a reservation for Noah's Ark. There are a limited number of walk-up reservations, but that could mean arriving at noon and having to wait until 2:30 or 3p.m. to get into the ark.

Thursdays are free for every one, but you can't make reservations, so arrive early.

The current show is Masters of Illusion: Jewish Magicians of the Golden Age, and the ongoing Visions and Values: Jewish Life from Antiquity to America, which has some quite nice interactive displays for children.